Why Choose a Sustainable, Hand-Painted Mitpachat?
As Jewish women, we choose our head coverings with care — not just for style, but for meaning.
More and more, women are asking themselves:
“How can I choose a mitpachat that is both beautiful and sustainable?”
The answer lies in choosing a hand-painted, sustainable silk mitpachat, like those in my Silk Fragments Collection.
♻️ Sustainability Meets Modest Fashion
Each scarf in the Silk Fragments Collection is made from high-quality silk remnants that might otherwise go to waste.
Instead of letting these pieces sit unused, I transform them into one-of-a-kind mitpachot — painted with care and intention in my Jerusalem studio.
By choosing a sustainable mitpachat, you honor the values of modesty, beauty, and environmental responsibility all at once.
Explore the Silk Fragments Collection here.
🎨 Why Hand-Painted Matters
Mass-produced head coverings can never carry the same meaning as one that is created by hand.
Every mitpachat I paint is unique — no two are the same.
With Silk Fragments, I use spontaneous dye techniques, letting colors flow and blend in organic patterns that can’t be replicated.
The result is a truly one-of-a-kind silk mitpachat you can wear with pride.
Lightweight and Versatile
The smaller, lightweight format of the Silk Fragments scarves makes them perfect for creative styling.
Whether you wear it as a full wrap, a headband, or layered with other coverings, it gives you endless ways to express yourself while staying modest and stylish.
A Choice That Reflects Your Values
When you wear a sustainable, hand-painted mitpachat, you’re choosing more than just a head covering.
You’re supporting Israeli art and Jerusalem artists, embracing modesty, and respecting the world we live in.
Discover the Silk Fragments Collection today — and find the scarf that reflects your values and your unique beauty.
Silk Fragments No.1
Silk Fragments No.2
Silk Fragments No.3
Silk Fragments No.4
Silk Fragments No.5
Silk Fragments No.6
Silk Fragments No.7
Silk Fragments No.8
Silk Fragments No.9
